Sunday, May 19, 2013

Congratulations, Chavis Kid Artists!

On Friday, May 17th, the kids from the Chavis Community Center in Raleigh displayed artwork created in the afterschool program beginning in January of this year.  Congratulations to all of the young artists!
Also, congratulations and special thanks go to the Chair of the ArtFest committee, member Cathy Mitchell.  Thanks to your organization and hard work, the art projects looks great, and the exhibit was a great success!

Enjoy this collage of the displays below.
 



Friday, March 8, 2013

Retreat Registration Deadline: Today!

There are fewer than four weeks to go until our Artistic Asylum Retreat, and today is the deadline for registration. So, if you've been on the fence about joining us for a weekend of creativity, friendship and fun, NOW is the time!

Here is the updated Master Schedule of events:

 
See you there! 

Monday, February 25, 2013

Artistic Asylum Retreat Schedule

With just over a month to go until our very first retreat on April 4--7, excitement is building!  If you haven't registered yet, what are you waiting for?!  Fifteen hours of instruction with accomplished artists, three nights' lodging, and all meals, all this for $310/double occupancy... 'can't get that anywhere else we know of.  Plus, the opportunity to share your creativity with other members of the Guild, and to get to know them better...a bargain to be sure!  There's still time for you to join us.  The registration deadline is Friday, March 8th, and you can pay via PayPal, using the links at the bottom of this blog.

To really give you a sense of the retreat, here's the schedule for our long weekend of fun, creativity, learning and laughing...'hope to see you there!

Wednesday, February 20, 2013

Artistic Asylum 2013 Registration Now Open!

Registration for the CMMAG Artistic Asylum 2013 is now open to friends, family, and aficionados of the Carolina Mixed Media Art Guild.  

What is the Artistic Asylum? 


Left to right:  Fetvedt bracelet, Modler journal page, Edmonson quilt, True bottlecap pin

The Artistic Asylum is a mixed media immersion in Fiber Arts, Art Journaling, and Metals.  Each retreat participant will experience all 3 categories.  Accomplished instructors John Fetvedt, David Modler, Susan Edmonson, and Marlene True will be sharing their art in 3-hour and 6-hour classes.
 
When is it?  Thursday, April 4 --Sunday, April 7
 
Where is it?   Haw River State Park » The Summit Center Summit, NC

Accommodations in motel-style lodges (modest and clean, no TV) can be reserved as a double or a single (while they last).
Three buffet-style meals are served in the cafeteria and are included as part of your registration.   Vegan, vegetarian, gluten-free diets and food allergies are accommodated.  Sign-in on Thursday, April 4 from 4:00 to 6:00 pm.  There will be evening activities planned for Thursday, Friday, and Saturday. 
 
Okay, this sounds great!  How much will it cost?
 
CMMAG Membership Dues*                                   $30
Non-refundable Artistic Asylum Registration Fee      $30
Single accomodation at The Summit Center           $370
or
Double accomodation at the Summit Center           $310
 
*membership is required for participation, gives you a year of mixed media fun, and entitles you to the full calendar of Guild activities.

What's included in the fees?  

Fifteen (15) hours of instruction, lodging for 3 nights, and all meals.   Yes, all of it for one, low price.   Compare it to similar retreats that cost between $700 and $900.

How do I register? 

The Artistic Asylum registration form is available on our CMMAG Yahoo Group.  Upon payment of your membership dues, you will be invited to join the Yahoo Group, and must print, fill out, and mail the form to the address provided.  

All reservations are on a first come, first served basis.  Registration fees are  payable by check or through PayPal. 
Payment options include paid-in-full or two equal installments. 
Final payment is due by March 8, 2013.   
Scroll all the way to the bottom of this blog to access the links to PayPal registration. 
 
Email questions to:  mixedmediaretreat@yahoo.com  and they will be answered by a CMMAG Retreat Committee member.

We look forward to seeing you at the Artistic Asylum Retreat

sponsored by the
Carolina Mixed Media Art Guild

 

Wednesday, January 23, 2013

Featured Member Interview: Fran Schindler


What inspires you to create?  
What inspires me? Just about everything--Nature--Trees, especially tree bark, bare trees, clouds, rocks, lakes, the ocean, the art of others. Browsing in art stores and galleries. Being part of a group that creates. Collecting found junk  especially rusted stuff. Going to museums. Colors, Shapes, Textures.  I'm sure you get the picture.

 
When did you decide to pursue art, or did art pursue you? 
Art has  been rolling around in my mind for years. I've always said , If I had unlimited money I would buy art. Not museum quality art, but interesting art of every type that appeals to me. I'm especially attracted to assemblages, painted furniture, sculptural pieces, anything abstract with shape, color and texture.  One of my favorite places is the American Visionary Art Museum in Baltimore. They feature what is called ART BRUT, also called Outsider Art; basically art by self-taught artists or art by the mentally ill.  My favorite art magazine is "Raw Vision."  What really got me motivated to do something NOW was attending Art of the Carolinas and running into the people in the Guild. That in combination with the fact of my age--"if not now when," and the serendipitous meeting with  a 93 year old woman artist in NYC who does drawing and assemblages. The minute I walked into her home and studio we made an instant connection. I never met a person before who picked up the same kind of stuff I did, and she actually did something with it.

If you weren't an artist, what would you be?
If I weren't an "artist"? What??? That will be answered in #7.  Actually, I never thought of myself as an artist until late 1998. While I was out walking, I spied the pieces of a broken windshield lying in the street.  "Aha!" said I. "that looks like art." I ran home, got a broom and dustpan, went back to the site and started sweeping up the glass. A motorist stopped and expressed concern about an accident and asked if she could help. I said, "No thanks, I'm an ARTIST??? and I'm collecting materials." And, voilà, I dubbed myself an artist.
 
What other jobs have you had which have aided you on your artistic path? 
My work has always been in Nursing in the areas of Psychiatric Nursing and Substance Abuse. Not much artistic preparation there, until one day I was assigned to a young woman who was very ill.  She was basically non-verbal; wouldn't even get out of bed.  After a few days, her father brought in a big tub of art supplies. One day, I found her sitting on the floor surrounded by her stuff, just putting paint on paper and adding glitter and other shiny stuff.  It was love at first sight. I sat with her and watched her, and we hung her stuff on the walls of her room. We became friends, and she improved enough to be discharged, then continued doing some art through out-patient programs.  I have always attributed my starting to get some art supplies to do something, directly to her.


At the art supply store, which section calls to you first?
I go to paint, paper, bound journals, pens, markers, pencils and books, books, and more books. I love to look at the kids' section, especially the Dover coloring books. My other passion for relaxation is coloring Mandalas. The history of mandalas and their shape is an endless source of fascination to me. The shape can found everywhere in nature.


What new technique or art form would you like to learn?  Do you have plans to do so?
I'm currently messing with making handmade, upcycled, stamps and prints. Also, I'm trying to figure out what to do for my project with the Chavis kids, learning about using acrylics, art journaling techniques, trying to learn to do image transfers, and using pouring medium with acrylic inks. I'm totally overstimulated!!


If you could do anything, and knew you could not fail, what would you choose to do?   
This is the best question of all!! I would be a performing artist!!! I would do stand-up comedy. Theater--Drama-- but most of all, Broadway musicals.  I would sing, dance, act and would be an all around DIVA. Although I am totally unable to do anything musically and have no desire to learn.  It is a total fantasy I was fortunate to be able to experience as a performer for 6 years, with a group of guys who do a fundraising activity for the Alliance of Aids Services. It is called Drag Bingo. My name was MissDiagnosed!!! I wore costumes, wigs and tons of makeup. I danced, lip-synced pop songs and schmoozed with the audience. This was all volunteer work for the Alliance and we often raised up to 10K in one night.  It was one, if not the best, most enjoyably fun thing I have ever done. I am so sad to have made the decision to stop, but realistically there is only so much makeup I could pack into my wrinkles and it's hard to see without my glasses.

Thanks for the interview, Fran...what we want to know is: are there any photos, or, better yet, videos of "MissDiagnosed" in action?!

Tuesday, November 13, 2012

Featured Member Interview: Cathy Mitchell

Blog:  http://theenchantedforestspirit.blogspot.com/

What inspires you to create?
Inspiration is so abundant. Colors, textures, light and shadow, nature, music, the written or spoken word, all will motivate me when I least expect it. Looking at the work of artists gives me perspective that energizing and invigorating.

When did you decide to pursue art or did art pursue you? Art has always played like a song in my mind. When I was small, crayons, bits of yarn, paper, glue, and blunt-nose scissors were my favorite toys. I often played in my Mother’s button tin, sorting endlessly by color, size and shape. I watched my Dad build bookshelves, TV cabinets and repair items. I played with the remnants. The first “assemblage” I made was a bedroom for Barbie from a square bread box my Mother spray painted gold. Accessories were fashioned from cartons, wood blocks and fabric scraps.

If you weren't an artist, what would you be?
It would be amazing to have the attention span to study history and literature. I so admire writers who change perspectives with their words. Sometimes I’ll read something provocative feel the urge to write a bit or decide to study a period in history. That doesn’t last long before I feel the pull towards abstracts like shape and shadow.
 
What other jobs have you had which have aided you on your artistic path?
I have been so very fortunate to have worked with elementary and preschool kids, summer camp and specialized recreation. These settings allow me to plan and implement arts and crafts instruction although the best inspiration comes from being with children and adults who shine when bursting with creativity and ideas. As well, many years behind a desk in the world of finance led me to realize my mind works in movement and color rather than static black and white and that is ok, too.

At the art supply store, which section do you gravitate to first?
Initially I go to the markers, pens and pencils then onto paper, paints and brushes. And journals; I love to handle and look at journals even if I don’t need one. Exploring techniques that I have not yet tried and poking around in the children’s supply area; to find something fun for my grandson. A visit to the art supply store is energizing for me.

What new technique or art form would you like to learn? Do you have plans to do so?
I would like to learn more about alcohol inks and watercolor. I have played around with both and find the color mingles and dances in much the same way with both mediums. As I spend time with our most talented group of artists here within the CMMAG, I learn so much and find opportunities all about. As I am just breaking into this beautiful world of art making, I tend to practice serendipity and see what happens next.
 
If you could do anything, and knew you could not fail, what would you choose to do?
Wow, so many adventures to be had. If I knew I wouldn’t fail, I would begin work on a novel or a non-fiction book dealing with cultural history.  Add to that a huge farm where stray and forgotten pets could come and live out their lives, healthy and happy, would be a dream come to life.
 

Wednesday, October 10, 2012

Featured Member Interview: Liz Miller, CDA

"Under the Old Maple"
Visit Liz's website:  Artful Endeavors
Facebook:  http://www.facebook.com/artfulendeavors
 
What inspires you to create? 
Creating is a part of me. I’m inspired by the world around me, colors, textures, lines, light and the way they interact. I’ve always gravitated to the creative part of any of my jobs or activities.
As an art teacher, my students inspire me with their desire to learn and their questions about art theory or techniques.

When did you decide to pursue art or did art pursue you?
I’ve been involved in art in one form or another as long as I can remember. As a child my favorite activities involved crayons or building something.

If you weren't an artist, what would you be?
At this point in my life if I weren’t an artist I would be retired and still involved in creative pursuits.  I’m not sure you ever retire from being an artist.

What other jobs have you had which have aided you on your artistic path?
Before I worked at being an artist I was a nurse, a belly dancer, and a dance therapist. I’ve always enjoyed the creative aspects of each job.


"Waiting to Hatch"
At the art supply store, which section do you gravitate to first?
An art store is like a candy store to me, so much to look at and explore. I usually end up at the paints, or pencils, or anything involving color.

What new technique or art form would you like to learn? Do you have plans to do so?
I’ve been exploring textures and mixed media, colored pencils, and watercolors. More portrait work is high on my to do list.

If you could do anything, and knew you could not fail, what would you choose to do?
I would provide an art studio/gallery/venue where any of my talented students or artistic friends could come to teach, create, dance or follow their creative urges. I would involve as many people in art as possible. I would have a large room for dance performances and Zumba workouts.
I would be an artist, wife, horsewoman, cat lover, Zumba enthusiast, belly dancer, art supporter, teacher, and friend. 

Sounds like you're living your dream, Liz!  Thanks for the interview.

Tuesday, September 18, 2012

Featured Member Interview: Katherine Stein

Nuno scarf I
Visit Katherine's blog, Designing Dragonflies
and her Facebook page, here.
 

What inspires you to create? 

Everything inspires me.  Trees, grasses, birds, berries, fruits, vegetables, sunsets, sunrises, gloomy days near water (a perfect example of monochromatic) buildings, mountains, oceans, deserts, cities, villages, people, dogs, cats, the moon and stars, books, the Milky Way, fiber, fabric and color, color, color!

When did you decide to pursue art, or did art pursue you?
I grew up wanting to be an artist so I guess I pursued it.  I LOVED art class in school and when I was able to choose classes in high school I took every art class I could. I wanted to paint and was really into embroidery in high school. I took some pottery classes but I just couldn’t get into it. After I got married at the tender age of eighteen I was broke and got into sewing, recycle, and nature art (anything I could do cheaply) In my thirties I started to work full time and went to (shudder) business college at night…which did require some creative thinking but kept me so busy I had no time for art. Ten years later, when we moved down to North Carolina, I found some boxes of my old projects and it was like finding a forgotten old friend. I’ve decided that this is my time to get back into what I loved doing, so here I am. I’ve declared to myself and to others that I AM a Fiber Artist (who meddles in paint, art journals, and whatever catches my attention) and I’m never going to let that part of me go for anything or anyone. Whether I stay in fiber or move on to the other mediums who knows, but it’s a journey that doesn’t really end and that’s the best part.

Nuno scarf II

If you weren't an artist, what would you be?
Hmm...been there temporally already, bored, frustrated, television watching zombie (and kinda bitchy as well).

Fairy Grandmother

What other jobs have you had which have aided you on your artistic path?

Different scarves
Working at a flower shop was really awesome because of the different colors of the flowers and plants.  But what gave me the discipline of color was working at Perrigo in Allegan, Michigan in the Graphic Arts area (Print Shop) I had to learn about four color processes, and the printing process, flexo and offset. It has turned out to be my favorite job so far.

At an art supply store, which section do you gravitate to first?
It depends on which art store, what day and what whim.
At Jerry’s I go for the fabric dyes, however I may want to check out what is new in paper, pens and paint. At Askew-Taylor I just want to slowly explore the whole store bit by bit, it’s like going into Aladdin’s cave. At Ornamentea I start with wool fiber and then look at seed beads and any other sparkly item that catches my eye. Quilt stores and Joanne’s is totally fabric.
 

Shibori
What new technique or art form would you like to learn?  Do you have plans to do so?
Since I’ve joined CMMAG, I’ve been exposed to so much beautiful art, I want to learn and master it all. However my top picks are to learn how to Art Journal, paint, draw better, and expand my fiber art knowledge. My New Years Resolution for 2012 has been to learn a new technique every month and so far I’ve done pretty well. January I taught myself Nuno Felting, February was portrait drawing, March was making a sweat shirt jacket using layered waves,  April I designed and made cell phone bags, May, I learned a new way of appliqué, June I started to learn how to Batik. July is furthering the Batik to a new level. I need to pick up some painting classes, an Art Journal class and possibly book binding to finish off my year.

If you could do anything, and knew you could not fail, what would you choose to do?
I would buy an old warehouse or mill, renovate it into a combination of Art studios, meeting rooms/ class rooms, gallery and an inn. This way, I’d be able to accommodate different artists needing space, provide space for guilds to meet, as well as classrooms (at a reasonable rate).  Also, I'd sponsor weekend workshops and the inn aspect of it would accommodate students. The gallery would be a co-op of all the artists in the studios.

Sounds like a wonderful place, Katherine...sign us up! 

Thanks for the interview, and best of luck meeting your New Year's Resolution goal...you're well on your way.

Raleigh 004

Wednesday, July 25, 2012

Featured Member Interview: Mary Neligan

Mary at work

What inspires you to create?
Sometimes it’s the wood with the different patterns, knots or shapes.  Sometimes it’s the odd metal parts that I‘ve found or been given.  Lately it’s been a theme or concept of a fish that makes me laugh and I search through my hoard of parts to create that fish.






When did you decide to pursue art or did art pursue you?

Oakey
I’ve always been a piddler, tinkering with tools, wood, glass, and the like.  When our talented member and my good friend, Jean Skipper, told me she could sell my fish in her gallery I was amazed.  I had a reason and a purpose behind my piddling.  I later realized Jean bought most of my first fish, but it got me started.

Hooked

If you weren’t an artist what would you be?
I would still be working in the Emergency Room.  With 12-hour shifts you always had 4 days of the week to decompress and work on projects.









What other jobs have you had which aided you on your artistic path?
Daddy Gar
When my boys were young I was able to be a stay at home mom.   My friend Joanne and I taught ourselves how to use a miter box and chair railed everything.  We laid flooring, painted, and wallpapered.  We mastered the bigger saws and built a dog house.  My dog never slept in it.  It has a bit heavy… needing a forklift to move it, but it looked good.   




 At the art store which section do you gravitate to first?
The one with the most colorful display.   They may be displaying something I know nothing about or have no need for, but I will be sucked in.   I have bought amazing things I know nothing about from fabulous colorful displays. 

What new technique or art form would you like to learn?  Have you made plans to do so?
Sally Sells
I have always wanted to learn to batik.  This past Monday I took a class with our own Liz Miller. I liked the element of surprise in a completed batik work.  More batik projects are now swimming through my head at an alarming rate.  I have fish orders that need to be filled first. So much art and not enough time. Batiking will happen, but back burner for now.




If you could do anything, and could not fail, what would you choose to do?
Mrs. Latchy
I’ve toyed with the idea for years of acquiring one of little cinderblock buildings you see dotting the rural highways of North Carolina.  You know the ones… mostly abandoned now, they use to be mom and pop stores, repair shops, and the like.  I would like to completely mosaic the exterior of the building with a landscape theme with monsters, gargoyles, and of course fish.  The store would become a junk shop with displays of found and upcycled art.  Give ideas to all on what they can create with discarded items.  They have the choice to create or to buy from all of us who create, tinker, and piddle.

There'd be lots of CMMAG members who'd be regular visitors to your store, Mary!  Thanks for the interview.

Sunday, July 22, 2012

2012 Challenge: "What's on Your Palette?"

Our challenge for this year will be our take on the Capital One slogan ("What's in Your Wallet?").  No Vikings, no Alec Baldwin, no goats...well, unless that's what you're into. 

At the August 9th Guild meeting, all members will be given a 12" x 12" canvas (a gift from the Guild), and a template with the outline of an artist's palette.  The challenge will be to show the world what's on your personal palette. 

Anything goes!  If it can fit onto the palette, and be permanently attached to the canvas, it'll work.  The only requirements are that the outline of the palette must be visible, and a solid color background (which continues around all four edges) must surround it.  Finished work is due at the October 11 meeting (no exceptions!).  As we did last year, the completed canvases will be displayed at Art of the Carolinas (November 8--11). But unlike CanvaSynergy, these will not be attached, or in a frame. Instead, we'll forgo the table we normally have in the hallway leading to the trade show at AoC, and display them on a grid wall.  After that, who knows?  Maybe the Mayor has some more empty wall space...

Intrigued?  Got plans whirling in your head?  Great!  The fun begins August 9th.