Member Spotlight November 2021: Jeanne Maher

Jeanne Maher was born in Delaware and moved to NC in 1993.  She met her husband, Austin, in 1994 and got married in 1996.  They have two sons, Austin Robert (19) and Liam (14).  Jeanne is trained in medical billing and bookkeeping but stopped working to stay at home with her kids.

Creativity runs in her family: Jeanne’s dad was an architect, her mother was an artist and art teacher, and her sister is a quilter.  As a child, Jeanne loved to color and always had the biggest box of crayons. Her mother went to college to get an art teaching degree when Jeanne was four, and she remembers sitting alongside her mother as they worked in parallel on whatever art homework she had been assigned.  When her mother was taking a pottery class, Jeanne remembers making a clay pot of rolled spirals inside a saucepan that she glazed purple.  She also enjoyed making Papier Mache with her mother and did a lot of sewing as a tween until athletics took her free time starting in middle school. 

Jeanne got hooked on beading in the late 1990s, when her friend, Elizabeth Lyne, who is now a fine craft jeweler, started holding a monthly Beading Bee. The projects progressed from making wine charms on memory wire to earrings and necklaces and lead to her joining Capital Area Beading Organization in 2003. Jeanne held several positions with CABO including newsletter editor, a brief stint as Treasurer, President-Elect, and eventually President through December 2006. During her time as President, she initiated the formation of a guild library, worked to gain the guild’s nonprofit status, collaborated with Jane’s Fiber and Bead show to provide classes at its Raleigh show, brought in national bead artists for classes, and spearheaded enhancements to the bylaws.

     

Jeanne continued developing beading skills until early 2009, when she went with a friend to Askew-Taylor and saw her first jar of Mod Podge since doing art projects with her mom in the 1970s. (She recalls “I felt like her spirit blew right through me!”)  A few weeks later, Jeanne bought a raffle ticket during a quick trip to Jerry’s, and she won a 2-day collage workshop with Sharon DiGiulio. After that class, Jeanne was hooked and took many workshops in collage, acrylic painting, art journaling, book altering, and mixed media at Jerry’s. Along with Sharon, some of her teachers were Ophelia Staton, Michelle Davis Petelinz, and Jodie Ohl, to name a few. For her 50^th birthday, Jeanne hired local artist Ophelia Staton to come to her house and teach an art journal workshop for her and five friends. It was the best birthday to date!

In 2015, Jeanne was invited by Elizabeth Lyne to join the board of Carolina Designer Craftsmen Guild, a 501(c)3 arts nonprofit, where she served as a member of the Friends of the Guild Committee. She was part of a team responsible for recruiting and retaining supporters, planning and executing the Friends of the Guild reception at the annual craft market, and writing copy for Friends literature. Jeanne became Secretary in 2016 and elected Treasurer in 2017.  When the Executive Director move on at the end of 2017, Jeanne took over her duties as well. Falling into this roll inspired her to enroll in the Duke Nonprofit Management Certificate Program. Still acting as Executive Director, Jeanne was voted President in 2019 and will hold that office through the end of 2021.  The 50^th anniversary show was held in 2019, but COVID forced the cancellation of the 2020 show. Unable to recover financially, the Carolina Designer Craftsmen Guild unfortunately will be forced to dissolve by the end of the year. 

As a collector of fine craft and advocate for visual arts, Jeanne was devastated at the loss of this unique event in our community.  After 6+ years of volunteering, she was relieved to get back to being more present for her family and enjoying her own art. Jeanne recently started following mixed media collage artist Elizabeth St. Hilaire and has learned a lot from her gel plate printing videos as well as her Fabulous Florals online class held in May-June 2021. Jeanne is inspired to do more with gel printing.

Jeanne joined CMMAG in July 2009.  She is looking forward to in-person CMMAG, getting to know new members, and enjoying the wonderful programs the guild hosts. 

  

Member Spotlight October 2021: Peggy Heitman

Peggy Heitmann considers herself a visual artist and a word artist. She does not think of herself a natural born artist, as people say, with lots of innate talent. Growing up did not provide her with encouragement, or opportunity. Self-taught is how she describes her art and art process. Persistence and determination are two traits that have shaped her life and made her into the artist she is today.

Peggy grew up in the mill-town of Columbus, Georgia. In school, she always favored reading and writing over multiplication tables and long-hand division. Her mother often read poetry books to her in a soft, Southern voice orchestrating the words, pitching the vowels, and measuring the consonants into a melodic blend she craved to hear. 

As for art, she says she got an A in eighth grade for staying quiet, not giving the teacher a problem, and for trying hard. When she peeked to see her classmates drawings, she says she wanted to hide out in the girl’s bathroom the entire class period. Instead, Peggy stayed, stuck out the embarrassment of her drawings like the one-dimensional Ferris wheels she chalked on black paper, and the anguish she endured over a pottery bowl she could never get to look like anything but a pink blob. She was one of those people who shied away from art after that experience telling everyone the typical, I can’t draw stick people.

Peggy goes on, My children all born in the late 80’s, became the impetus and the inspiration for scrapbooking, which eventually evolved into art making. She says she had long ago assigned herself the role of family historian and wanted to record the lives of her own children. I started slowly. In fact, I am not sure I realized the skills of design and color theory that I incorporated into my scrapbooking, but they were there. Intuitively, they were there. 

Then in 2003, Peggy’s “art career” took another forward step toward the kind of art she makes today. She took an introductory class to the principles of altered books. Shortly after that class, she completed her first altered book, a tribute book to her mother. The skills required for altered books paralleled scrapbooking nicely. She confides she loved making altered books because they were so 3-D. I could make images leap off the page, have life and vibrancy and I could use magazine images, paper napkins, note card images—anything, absolutely anything so I would not have to draw.  She reminds us she had been telling everyone including herself that she could not draw stick people. 

Nevertheless, she persisted this way for years in making altered books. She thinks her books looked good. She always got compliments on her excellent use of color, and a few commissions.

But after awhile, she wanted more. She says, I thought to myself one day, why should I limit myself with that kind of thinking. Of course, I can do whatever I set my mind to do. She wanted to be what she considered to be a “real artist.” She decided she wanted to draw. 

So at age 59, she started drawing lessons with Tim Merrill in Wake Forest. Every Sunday for three years, she drove 45 minutes from her home in Raleigh near “Big Wake Med” Hospital on New Bern Avenue to downtown Wake Forest and then back home again—and she repeats For Three Years! Peggy is including a poem about the drawing process:

Drawing Class

I begin my lessons
with Bargue drawings
that emphasize exactness.

The image in my head
I sketch with precision
and flawless ease.

But my undisciplined mark making
does not match the images.
Instead, my drawings look like scribbles

searching for a recognizable form.
Charles Bargue used simple lines
created hidden perspectives,

soft contours juxtaposed
against jagged lines,
concepts of light

and shadow playing
against each other
in complex ways.

Renderings that look
so sensuously abundant
become for me lessons 

to practiced discipline
training my hand
and mind to work

together, to glide
over the paper
to create illusions

and bring my subjects
to life like poetry.

Peggy notes she started writing and publishing poetry about 30 years ago. Since then, she has developed her own “style,” her own “voice” as a Southern poet. 

Today elements of poetry, drawing, painting, color, persistence intermingle in her work. The one element of the art making that she did not anticipate is the Joy that comes with turning a white piece of paper into an object of beauty, delight, humor or whichever of the emotions she wishes to evoke.

Peggy laughs, Oh, my goodness, if I had known art could bring me so much pleasure and joy I would have started at age three!!! 

Today, she knows her strengths and weaknesses when it comes to art. Most importantly, she says she knows her preferences. Peggy has no interest in becoming an illustrationist. She says that she appreciates drawings so realistic one could comb the hairs of a man’s beard, but that is not her style. She much prefers altered realism like the one shown here. 

She loves working in many different media: watercolor, acrylics, paper collage, fiber arts. Currently she is working on a project called “Arting Your Journal” adding elements of color, texture, text, pictures to a journal that she fills with words, thoughts, emotions she will later turn into poems. 

She says another important lesson she has learned is “Do SOMETHING Every Day”.  On any given day, if you look for Peggy, she can be found painting, drawing, collaging, sewing or writing—but most likely if you were the proverbial fly on the wall, you would find her working on as many as she can squeeze into the day. And she laments over the time that must be spent on dishes and laundry, which she says take away from the passions of her life.

Retirement is on the horizon for Peggy. Her day job at Wake County Human Services ends March 11, 2022. After a rest, she hopes to work at a local DWI agency providing art instruction. Whoo hoo.

Imagine that. The kid who couldn’t became the adult who can and then goes on to teach. I couldn’t ask for more. And I am grateful for everyone who has helped me along the way!

Member Spotlight August 2021: Maureen Seltzer

Maureen Seltzer is a mixed media artist based in Wake Forest who specializes in hand-printed paper collage art. Maureen grew up in Garner. After graduating from high school, she went to school in Boston for Industrial Photographic Science and later went to work for Polaroid in research and development. Before the digital world took over, making traditional photography obsolete, Maureen worked as a darkroom tech at SAS and The Wake Weekly. Maureen has always enjoyed creating art and focused on watercolor for 20 years.  A few years ago she was looking for a way to add more texture and meaning to her work, and it all started by accident. While researching mono printing techniques to teach to middle school students she learned that unflavored gelatin could be used as a base for holding paint. She was convinced it would never work but soon found herself with a trash bag full of printed, abstract papers.  These papers lead to her collage work.    Maureen’s collage pieces start with a fast under-painting to mark out the colors onto a canvas. She then mono prints onto old papers using paint, a gel plate, and found objects to create texture and dimension.  She then tears these very textured, abstract mono prints and glues them onto the canvas much like an artist lays a brush stroke.  From far away it is hard to tell that the artwork is made of tiny pieces of history of everyday life, but on closer observation you may see bits and pieces of a music sheet, a crossword puzzle done by a friend, or a map.  By using old papers, Maureen feels that her pieces have a history and somehow the people that once owned them are now a part of her art.

Maureen is a much sought-after teacher of children’s art classes in the Triangle.  She also teaches adult workshops in mono printing at her studio, a dream she held in her heart for quite some time.  She has been a contributing artist for Gel Press® and served as a guest artist on a live broadcast with Jerry’s Artarama of Raleigh. Maureen has received many accolades as her pieces have been chosen for shows across North Carolina. Her piece, If Mother Nature Could Dance, was chosen for the Spotlight on Wake Forest Artists event. The piece was digitally reproduced as a large mural in brick vinyl and applied to the façade of the Wake Forest Renaissance Centre in downtown Wake Forest.   

          

Maureen has been a member of CMMAG for four years.  She recently served as Board Member at Large.  When Maureen is not working in her studio she enjoys watching a good movie on TV or playing with her dog, Charlie.  She is on Facebook at Maureen Seltzer's Art Studio and on Instagram at maureenseltzersart.  Her latest works and classes are also detailed on her website at www.seltzersart.com.   A few examples of her pieces are included in this story, but you can see Maureen's art in person at Extraordinaire at Triangle Town Center and at Wake Forest Coffee in downtown Wake Forest.   

Member Spotlight July 2021: Marcia Streithorst

Marcia Streithorst is a professional artist and teacher based in Raleigh.  Originally from Ohio, Marcia graduated with a BFA and before graduation landed a job at a publishing house. She has worked in the field of arts ever since, doing everything from managing designers at a Fortune 500 company to volunteering for non-profit art groups.  Marcia has been a member of CMMAG for 7 yrs.  She is the current Vice President of the CMMAG Board and has previously served as Secretary and a Member at Large.

After her family moved to North Carolina, Marcia started to take her personal art seriously and fell in love with the network of supporting artists in the area, the vibrant galleries and the welcoming arts community in Raleigh.  Marcia says she owes her pursuit of becoming a professional artist to her husband who truly believes everyone should, on some level, be passionate about what they do. 

It was in NC where she was first exposed to encaustic medium, and she has been captivated by its possibilities ever since.  Marcia uses encaustic to capture all the colors, fibers, textures, and music of life into beautiful surreal paintings.  She feels that she will always be an encaustic painter because she loves using a blow torch 😊 and never gets bored with the medium. The wax provides endless, exciting possibilities.  Marcia shares her passion for encaustic through her foray into teaching, where she sparks excitement in students for the ancient medium by showing them how to make it their own.

Marcia feels that she is very fortunate to have the opportunity to teach and show her work across the Triangle.  Her inspiration for painting is the drive to inspire that feeling of wonder and magic in others, and she is able to capture this in many layers of wax with its depth and texture.  Encaustic is water-resistant and touchable; Marcia parlays these characteristics into an experience for the viewer.

As Covid restrictions are being lifted, Marcia is slowly returning to teaching in-person encaustic classes with the City of Cary and at NC State’s Craft Center beginning as early as July 21^st.  Her available classes are outlined on her website at mjsworks.com or on Facebook at MJS Works.  You can meet her in person at the Cary Lazy Daze event in August or view her work at Cary Gallery of Artists.  Below are some examples of her encaustic pieces.  

  

Member Spotlight June 2021: Lisa Yerby

Lisa Yerby is a talented artist who makes beaded sculptures using tiny seed beads, allowing her a range of color and texture throughout her collections.  Her work is inspired by the Huichol people in Mexico who use seed beads in their pieces, and she hopes to one day visit the area to see their work in person.  

Lisa taught kindergarten, first grade, second grade, gifted and talented and dyslexic students in Texas for 29 years. She notes that she never married or had children, so her students and friends were her world and she loved every minute of her time teaching. When she retired in 2017, Lisa moved to south Raleigh where her parents have lived for about 15 years.  Since retiring to Raleigh, she has time to concentrate on her beading work and can collaborate with her dad, which has been such a blessing. He is a wonderfully talented artist who hand carves the wooden fish, santas, and snowmen that Lisa then beads.  Her father is also a sounding board for ideas and handles the photography of her pieces. 

Lisa’s work has been included in several shows, including the 2021 Small Treasures show at the Cary Gallery of Artists.  Photos of some of her pieces are included below.  To purchase a piece from one of Lisa’s collections, go to lisayerbydesigns.com.  You can also find her on Facebook at Lisa Yerby Designs.  

Lisa joined CMMAG in January 2019 when she was invited to attend a meeting by her neighbor, Katherine Stein. She has always had a love of crafts including scrapbooking, stained glass, counted cross-stitch, clay, beading and, like many CMMAG members, enjoys trying new things. Lisa enjoys her time in CMMAG getting to know all the amazing artists, going to the art museum, and taking classes, like book-making.  She also loves the challenges; they really stretch her imagination. Lisa is currently serving on the CMMAG board as a Member at Large. 

Lisa has one of the best stories as a CMMAG volunteer with the Chavis after-school program:  It was a gorgeous day, so Lisa planned to do an activity outside. As she asked the students to line up, there was a crash, and the room filled with a thick fog. Everyone and everything were COVERED in a white foam.  One of the kids had knocked a fire extinguisher off the wall causing it to burst.  Everyone was safe despite the huge mess, and Lisa took home a funny memory. 

Member Spotlight: Denice Celley

Denice Celley is from North and South Carolina. She has been creating art since she was a child, and her passion for art is ever present and has assisted in her funding her education. She received a BA in Studio Art and Psychology from The College of Charleston in 2016.  

Denice is an active member of CMMAG and served as Board Secretary for the 2019-2020 term. Denice recently announced that she was accepted to a university in London to earn a Masters in Art History and Visual Culture with a focus in curation starting fall 2021. Guildies had mixed feelings about her news--excitement for this amazing opportunity she's earned but also sad to not see her in the group for the foreseeable future.  

Denice is not committed to a singular style or medium of art as she loves a challenge and enjoys experimenting with new processes. Since graduating, Denice continues to be influenced by nature and psychology in her art's underlying themes.  Below are just a few examples of her art. She is currently trying to raise money for grad school through sales of her works on her website, https://denicecelley.art/.  You can also follow her on Instagram at using handle dcelleyart.